 |
|
 |




 |
| |
 |
 |
 |
 |
|
 |
 |
Silk Road: A Novel of Eighth-Century China by Jeanne LarsenSilk Road is a beautifully written, richly descriptive, meandering story of a young woman who is trying to find her family and who, along the way, finds her own power. It weaves together history, story, mythology, and poetry. Interspersed with the story (the chapters named "Parrot Speaks") are a number of fragmentary 8th-century Chinese texts, translated by the author, along with prose poems that address the reader directly. The story itself and its writing style kinda scratched the same itch for me that Little Big by John Crowley does. I'm failing to come up with the right words to describe the similarities, though. In Silk Road's descriptions of the life of a courtesan I am reminded a bit of the popular Memoirs of a Geisha (which was written quite a while later). But Memoirs of a Geisha is in the end a thoroughly conventional romance novel. Silk Road isn't conventional and isn't a romance-genre novel at all. I don't know very much about Chinese culture, history, or mythology, except what I learn from watching Yimou Zhang ( House of Flying Daggers) and Jet Li movies. I expect people who know more about those things would get more out of this book. Finally, I'm going to describe how I found out about this book, because it amuses me. I am involved with a Buddhist sangha called Insight Meditation Center. A frequent guest speaker at this sangha is Thanissaro Bhikkhu, abbot of Metta Forest Monastery in California. I really like his dharma talks. So I was reading about him on the Web one day and I came across this interview with him in the Oberlin alumni magazine: http://www.oberlin.edu/alummag/spring2004/feat_monk.htmlIn the interview, he was asked whether he reads for pleasure and he said that the only fiction he reads is Jeanne Larsen and Harry Potter. That seemed like a good reason for me to check out Jeanne Larsen's books. Tags: booklog
|
 |
 |
 |
 |
|
 |
 |









 |
| |
 |
 |
 |
 |
Anathem by Neal StephensonI tend to dislike fiction where the author breaks the "fourth wall" by popping into the text to say something clever. Stephenson does this a lot in his books (the ones I've read), but I tend to make an exception for him. Nevertheless, I liked this book better than Snow Crash or The Diamond Age because it seems he does the "clever authorial injection" less in this book. Also the plot hangs together better. So my overall impression of the book was that it is more "mature" than those earlier works. It has all the other stuff that Stephenson does well: multiple complex societies with long histories, with echoes of old Earth cultures, interacting in interesting ways; hard science, math, and philosophy explained in lay language (he did a particularly good job of explaining the science in this book; he did a less good job with the philosophy); plot twists and puzzles; multiple points of view. Stephenson is less good at portraying romantic relationships, emotion, and complex character development than at that other stuff. The main characters do develop and most of the characters have distinct personalities and realistic, if simple relationships. It works well enough and doesn't distract from what he's good at. I particularly enjoy a novel that makes up a society I want to live in, and Anathem does a great job of that. (I've always kind of wanted to live in a monastery, except for the celibacy and believing in religion parts.) Another reviewer on Goodreads complained about all the made-up words in Anathem. I think this is one way in which the audio version is superior to the paper version. I knew that made-up words were being used, but a lot of them sound enough like Latin and French words that I didn't get very distracted by them. The audiobook is narrated well, mainly by William Dufris. Stephenson himself reads some of the definitions from "The Dictionary, 4th Edition, A.R. 3000" that preface each chapter. The audio production includes monastic-sounding vocal music that was composed for it; it includes overtone singing similar to that performed by the Gyuto monks. (You can hear more of it on the Neal Stephenson web site.) View all my (goodreads.com) reviews >>
|
 |
 |
 |
 |
|
 |
 |







 |
| |
 |
 |
 |
 |
|
 |
 |
Hula Girls is based on a true story and begins like this:
In the mid 1960s, Japan is switching from coal to oil as its primary energy source. The Joban Mine in the town of Iwaki is in jeopardy of closing, which will put two thousand people out of work. The town has natural hot springs so the mining company decides to build a Hawaii-themed resort to attract tourism. Once completed the resort will provide about five hundred jobs. Most of the mine workers aren't thrilled by this.
A dancer from Tokyo is hired to teach hula dancing to local women. Culture clashes ensue, etc.
The movie plot is predictable, but I liked the movie because it passed the Bechdel Test with flying colors, working class people were portrayed (a union was even mentioned), there was a lot of dancing, the cinematography is good, there were women of various shapes and sizes and gender expressions dancing, dancing was portrayed as a profession and not just as a dream of glamorous artistic fulfillment, and the plot wasn't cluttered up by a Hollywood-style heterosexual romance. Also the music is by Jake Shimabukuro.
If I were throwing a double feature movie party I would pair this movie with October Skies, which is about boys in an American coal town.
(Comments might contain spoilers.)
|
 |
 |
 |
 |
|
 |
 |



 |
| |
 |
 |
 |
 |
|
 |
 |
The Ghost Map: The Story of London's Most Terrifying Epidemic--And How It Changed Science, Cities, and the Modern World by Steven JohnsonAlan Sklar's narration is a little heavy, but adequate. The first part of this book examines the process of scientific advance through the lens of an 1854 cholera outbreak in London. Johnson's research seems thorough and complete, and he does a good job of explaining relevant concepts and facts. From time to time he stirs in a narrative-style story of the outbreak and the two men who were studying it. He uses this whole to discuss how science advances in fits and starts as new theories compete with old, established ones. I thought this part of the book was fascinating because I see the same process going on today. Johnson also does a good job of describing the role of chance in the story of the outbreak and its solution. (E.g., the solution would not have been found without the intervention both of a medical man trained in anesthesiology and of a clergyman who understood the neighborhood that was affected.) Another of Johnson's themes is the nature of urban living and urban planning. He describes the patchwork of services, individual laborers, technological advances, and economic realities that made up London's inadequate refuse disposal solution, and explained how understanding the transmission of cholera led to the development of modern sewer systems. The final third of the book is Johnson's ode to modern cities and human progress. It's not grounded in research the way the historical narrative was. I wasn't very impressed with it and didn't finish it. In the part I did listen to, there is a lot of "gee whiz" about how the Internet will let you look up your nearest coffee shop and how dense urban living is good for the environment and for population control and for human interaction and progress. I have heard those ideas before and mostly agree with them, and he doesn't present anything new from my point of view, nor does he do a careful job of providing supporting evidence for his arguments. He also goes on about how squatter cities are really where things are happening these days (apparently drawing on Robert Neuwirth's Shadow Cities: A Billion Squatters, a New Urban World). I don't know much about this but it seems he glosses over the infrastructure problems (and concomitant pollution problems) such cities have in order to talk about how they are cool because they have multi-story buildings and nightclubs and lots of (*ahem*) economic opportunities. View all my (goodreads.com) reviews >>Tags: audiobooks, booklog, books, science
|
 |
 |
 |
 |
|
 |
 |







 |
| |
 |
 |
 |
 |
|
 |
 |
This is incredibly minor in the grand scheme of things.
I really love a particular wristwatch, the Timex Ironman Traditional 30-Lap Full-Size with resin strap, model number T5H591. It has 3 alarms, a 30-lap stopwatch, and a countdown timer. It costs about $30 on the evil Internet superstore that shall not be named.
What I don't love is that the watch band breaks after 15-18 months. I'm on my second one of these watches and the band just broke in the exact same place that the first band broke.
Replacement watch bands for this model are theoretically available, but hard to find. Standard replacement bands don't work because these bands are sculpted in a special shape. I had to Google for quite a while before I found them (the Timex web site is happy to sell you a whole new watch but doesn't admit to having replacement watch bands). They are available at REI.com, but they cost more than 1/3 the price of a whole new watch, and since Timex makes similar watches in slightly different shapes, I don't know that the model offered at REI would even fit. And I hate using the phone so I'm not going to be calling Timex or REI to ask about it.
So now I have a perfectly usable watch face but no wristwatch, and I can't decide whether to order a new one of the same watch or try a different brand of watch that I might not like as well.
Like I said, really minor.
ETA: I use this watch for tracking my swimming workouts.
|
 |
 |
 |
 |
|
 |
 |



|
 |