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One of today's pleasures

Listening to this

A Saturday afternoon in November was approaching the time of twilight, and the vast tract of unenclosed wild known as Egdon Heath embrowned itself moment by moment. Overhead the hollow stretch of whitish cloud shutting out the sky was as a tent which had the whole heath for its floor.

The heaven being spread with this pallid screen and the earth with the darkest vegetation, their meeting-line at the horizon was clearly marked. In such contrast the heath wore the appearance of an instalment of night which had taken up its place before its astronomical hour was come: darkness had to a great extent arrived hereon, while day stood distinct in the sky. Looking upwards, a furze-cutter would have been inclined to continue work; looking down, he would have decided to finish his faggot and go home. The distant rims of the world and of the firmament seemed to be a division in time no less than a division in matter. The face of the heath by its mere complexion added half an hour to evening; it could in like manner retard the dawn, sadden noon, anticipate the frowning of storms scarcely generated, and intensify the opacity of a moonless midnight to a cause of shaking and dread.

In fact, precisely at this transitional point of its nightly roll into darkness the great and particular glory of the Egdon waste began, and nobody could be said to understand the heath who had not been there at such a time. It could best be felt when it could not clearly be seen, its complete effect and explanation lying in this and the succeeding hours before the next dawn; then, and only then, did it tell its true tale. The spot was, indeed, a near relation of night, and when night showed itself an apparent tendency to gravitate together could be perceived in its shades and the scene. The sombre stretch of rounds and hollows seemed to rise and meet the evening gloom in pure sympathy, the heath exhaling darkness as rapidly as the heavens precipitated it. And so the obscurity in the air and the obscurity in the land closed together in a black fraternisation towards which each advanced halfway.

The place became full of a watchful intentness now; for when other things sank blooding to sleep the heath appeared slowly to awake and listen. Every night its Titanic form seemed to await something; but it had waited thus, unmoved, during so many centuries, through the crises of so many things, that it could only be imagined to await one last crisis--the final overthrow.

being read by Alan Rickman.

I have to hear this sort of stuff read aloud in order to appreciate it. Otherwise I find it a huge struggle to avoid slipping into speed-reading. I think it just wouldn't work at all to speed-read Thomas Hardy.

Comments

( 3 comments — Leave a comment )
dawnd
Mar. 27th, 2003 09:05 am (UTC)
You know, Alan Rickman might be the ONLY way I'd put up with more Thomas Hardy. I just despised Jude the Obscure in HS, and didn't think much of the movie version of Tess of the d'Urbervilles that came out in the early '80's. But Alan Rickman's voice (like the rest of him) is just so yummy--it might well redeem Hardy's work for me!
firecat
Mar. 27th, 2003 10:45 am (UTC)
Exactly - I've been known to say I'd listen to him reading the phone book, so why not listen to him read Hardy?
mittelbar
Mar. 27th, 2003 10:40 am (UTC)
Heath.
( 3 comments — Leave a comment )

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